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1. EVA HOFFMAN’S LOST IN TRANSLATION: AN AMERICANEXPERIENCE CONDITIONED BY SEMANTIC REIFICATIONEVA HOFFMAN’IN LOST IN TRANSLATION ADLI ANI YAZISINDAANLAMSAL ŞEYLEŞME İLE ŞEKİLLENEN AMERİKAN DENEYİMİ

ÖZMAN KAYA M.
MCBÜ SOSYAL BİLİMLER DERGİSİ , vol.16, no.3, pp.137-158, 2018 (TRDizin) Sustainable Development

2. CONTRADICTING VOICES IN RYAN SMITHSON’S GHOSTSOF WAR (2009): IRAQ WAR, AMERICAN IDENTITY ANDINTERPELLATIONRYAN SMITHSON’IN GHOSTS OF WAR (2009) İSİMLİ IRAKSAVAŞI ANLATISINDA ÇELİŞKİLİ İFADELER: AMERİKANKİMLİĞİ VE İDEOLOJİK SESLENME

ÖZMAN KAYA M.
Trakya Üniversitesi Edebiyat Fakültesi Dergisi , vol.8, no.16, pp.150-167, 2018 (TRDizin) Creative Commons License

3. “Fashioning” the Post-War Self in Jessica Goodell’s Shade It BlackJessica Goodell’in Shade It Black İsimli Eserinde Savaş Sonrası BenliğinŞekillendirilmesi

ÖZMAN KAYA M.
Gaziantep University Journal of Social Sciences (GAUN-JSS) , vol.17, no.3, pp.866-878, 2018 (TRDizin) Creative Commons License

4. REPRESENTATIONS OF THE IRAQI “OTHER” IN THE IRAQ1 WAR (2003-2011): MEMOIRS WRITTEN BY AMERICANSAMERİKALI YAZARLARIN IRAK SAVAŞI (2003-2011) ANLATILARINDAIRAKLI “ÖTEKİ” TEMSİLİ

ÖZMAN KAYA M.
DTCF Dergisi , vol.58, no.1, pp.757-774, 2018 (TRDizin)
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